Got shaken & stirred under the theater’s dark lights this weekend. Privileged to see the Steve Reich Evening at BAM, in collaboration with the choreographer Anne Teresa De Keersmaeker. Reich isn’t for everyone: subtle tonal graduations emerge from his rich rhythms almost imperceptively, requiring a meditative frame of patience to reap listening rewards. For me it was just what the doctor ordered, as was De Keersmaeker’s lovely work, though it took the evening for the dance to coalesce; it finally did, powerfully accompanied by Reich’s Drumming—Part 1.
And there was the compelling, if imperfect Fifty Words at the Lucille Lortel on Christopher Street. Written by Michael Weller (Moonchildren, the film adaptation of Ragtime), it's a marriage-at-the-crossroads tale, as a couple confronts their cumulative shit aided by their child’s absence and a few glasses of vino; its head-scorching recriminations and honesty elicited chuckles (and gasps) of recognition from the audience—a house full of relationship vets no doubt. The play sputters out unsatisfactorily at the end, but as navigated by the fine Norbert Leo Butz and Elizabeth Marvel, this domestic long night’s journey is brutally thought-provoking. You certainly won’t doze. A production of MCC, it runs until November 8.
Photo of Butz and Marvel, courtesy of Sara Krulwich, NYT
Edie Adams, 1927-2008. Growing up Edie was everywhere: on television variety shows and especially commercials. In my head I still hear her voice, a jazzy belt that could make Muriel Panatella Cigars sound like the coolest thing on earth. Thanks to her, I'm sure that company made a lot of dough. RIP.
Nic Ouroussoff squawks. Roberta Smith blechs. Still, 2 Columbus Circle, new home of the Museum of Arts and Design is a cause for celebration, as a new art space (be warned: the work inside is hit and miss) poised to guss up our favorite traffic circle—notice how I stifled the word mall. The makeover is pretty in a tame, inoffensive way that makes me long for the contentiousness of the old Edward Durrell Stone facade, though it gets points for at least getting me to go inside--something I never did in its previous incarnations. Part of me wishes they ‘d cleaned up the old spot (and c'mon guys, bring back the subway entrance on its block—since it’s been closed my life has been a living hell) and let the Venetian-palazzo-whatever speak for itself. I suppose we should be grateful they didn’t demolish it, but Brad Cloepfil’s new clothes are not all that. Time will crawl …
Goes
Old guy goes downstairs reeling
and shying at newel and banister
while how his feet once blistered
the treads is what he is recalling,
for the young know how to balance.
Christ help all who wobble,
stagger, trip, step double,
and are their own hindrance,
oh help them. The day is fine out,
bright cold, the blood tingles,
in the yard laughter jangles.
It's a great day to fall on your sinciput
blonk!--and the world is dipping,
breath is thin, vision blurred,
what no one says is what you heard.
Look at the bright blood dripping.
Paul Newman 1925-2008. RIP